Natalie Kane

Wishing everyone a restful start to 2026! I’m kicking off this year’s blogs with a little 2025 “Best of,” and a preview of a few projects coming up early in the year. Favorites from 2025 Beginning with some standout experiences … * Getting back to teaching dance, with Forager Theatre Company   * Bringing Conceal Me What I Am  to NYC Fringe * Leading Expand the Canon ’s Research Team throughout the year * Collaborating on the Radio Violence , This is a Classic , and Premiere

As the midsummer season brings us from June into July I’ve got an upcoming performance to share, as well as quite a bit of writing and...

April flew by in a NYC Fringe blur, and it was wonderful to catch up with so many friends and meet some new collaborators around the...

This month has seen a lot of scattered research and pre-production on different fronts, but I’m about to focus in on NYC Fringe for the...

A (mostly) Canadian theatre update for Canada Day! Although I also have a few NYC festival projects coming up in July and August, scroll...

Quote of the Month “We live close together and we live far apart. We all go through the same things – it’s all just a different kind of...

Quote of the Month “Writing is a kind of Lottery in this fickle Age, and Dependence on the Stage as precarious as the Cast of a Die” -...

What a year it’s been! Quote of the Month “Happy ever after doesn’t mean forever, it just means time. A little time.” -River Song Current...

Tremendously rainy weekends like this one can be great for spending indoors in rehearsal, but overall it’s been a lovely month for spring...

Greetings from Brooklyn! I’ve been New York/New Jersey-based for awhile, and more virtually-based than anything during much of the...